Ginny Bishton

Born 1967, Burbank, California
Lives and works in Los Angeles, California

SOLO EXHIBITIONS

2015
“The News Threw Her”, Richard Telles Fine Art, Los Angeles
2011
Marc Jancou Contemporary, New York
2010   
Pomona College Museum of Art, Claremont, CA (cat.)
“More is Less and Less”, Richard Telles Fine Art, Los Angeles
2007  
Richard Telles Fine Art, Los Angeles
2005  
Richard Telles Fine Art, Los Angeles
Nicole Klagsbrun, New York
2004  
Studio Guenzani, Milan, Italy
2001
Richard Telles Fine Art, Los Angeles
1997
Richard Telles Fine Art, Los Angeles
1995 
Richard Telles Fine Art, Los Angeles

GROUP EXHIBITIONS

2016
“Art from Los Angeles: 1990 – 2010″, Studio Guenzani, Milan
2015
Group Show, Mar Jancou Contemporary, New York
2011
Selections from the Hammer Contemporary Collection – Hammer Museum, Los Angeles, CA
The Long Range – ltd los angeles, Los Angeles, CA
Ginny Bishton, Ingrid Calame, Scott Short – Christopher Grimes Gallery, Santa Monica, CA
2009
“CUT: The Makings of Removal”, Wignall Museum at Chaffey College, Rancho Cucamonga, C
“Compass in Hand: Selections from The Judith Rothschild Foundation Contempora ry Drawings Collection”, Museum of Modern Art, New York (cat.)
“Round Up,” Richard Telles Fine Art, Los Angeles
2008
“CUT: The Makings of Removal,” Vincent Price Art Museum, East Los Angeles College, Los Angeles
2007
“Hammer Contemporary Collection, Part I,” Armand Hammer Museum of Art and Culture, Los Angeles, Permanent Collection
“Eden’s Edge: Fifteen LA Artists” Armand Hammer Museum of Art and Culture , Los Angeles (cat.)
“Live/Work: Performance into Drawing” Museum of Modern Art, New York
2006
“Group Exhibition,” Richard Telles Fine Art
2005
“Ginny Bishton, Lecia Dole-Recio, Taft Green,” Richard Telles Fine Art, Los Angeles
2004
“Art on Paper,” Weatherspoon Art Museum, The University of North Carolina, Greensboro, NC (catalogue)
2002
“crisp”, Marianne Boesky Gallery, New York
2001
“The Approximative,” Galerie Ghislaine Hussenot, Paris, France, Curated by Meghan Dailey and Alison Gingeras, (catalogue)
“Patterns: Between Object and Arabesque,” Kunsthalle Brandts, Klaedefabrik, Odense, Denmark (catalogue)
2000
“Opere Su Carta,” Studio Guenzani, Milan, Italy
1999
“Hubcap Diamond Star Halo,” Claremont Graduate University, Claremont, California
1998  
“The Ideal Made Physical,” Art Gallery, California State University, Fullerton, California; exhibition essay by Linda Centell and Mike McGee (brochure)
“In the Polka Dot Kitchen,” Armory Center for the Arts, Otis College Gallery, Pasedena & Los Angeles (catalogue)
1997 
“New Work: Drawing Today,” San Francisco Museum of Modern Art, San Francisco
1996
“Art on Paper,” Weatherspoon Art Museum, The University of North Carolina, Greensboro, NC
“The Power of Suggestion: Narrative & Notation in Contemporary Drawing,” Museum of Contemporary Art, Los Angeles; Curated by Constance Butler, (catalogue)
“Selections Fall 96,” The Drawing Center, New York
“Ginny Bishton, Richard Hawkins, Pae White,” Richard Telles Fine Art, Los Angeles
“NowHere,” Louisiana Museum of Modern Art, Humlebaek, Denmark
1995    
Dan Bernier Gallery, Santa Monica, CA
1994 
“Sparkalepsy,” Feature, New York

2015
Mizora, Sharon, “Review: Ginny Bishton at Richard Telles: Short stories rewritten, on the wall”, The Los Angeles Times, May 3
2010 
Holte, Michael, Ned, “Ginny Bishton, Richard Telles Fine Art”, Artforum, April, p. 203.
Harvey, Doug, “The Bish, The Fish, and The Fantastic Four’, LA Weekly, January 22-28, 2010, p.34.
Knight, Christopher, “Around the Galleries: Turning logic on its ear”, The Los Angeles Times, January 22, 2010, p.D19.
2007 
Wulffson, Jennifer, “A Cautionary Tale,” X-tra, Winter 2007, p. 38 – 42.
Satorius, Katherine. “Eden’s Edge,” ArtUS, Winter 2007, p. 26, 27.
Harvey, Doug. “Condensed Cream of Conceptualism,” LA Weekly, April 20-26, 2007, p. 58.
Garrels, Gary. “Eden’s Edge: Fifteen LA Artists,” Hammer Museum, Exhibition Catalogue.
2006
Taft, Catherine, Critic’s Picks, Artforum.com, October 3-14.
2005
Reena, Jana. “A Sum of Parts,” Art on Paper, September/October 2005, page 30.
Harvey, Doug. “State of the Art ’05,” LA Weekly, October 28-November 3, page 20.
Knight, Christopher. “So familiar, yet disorienting,” Review. Los Angeles Times, March 4, pp. E24-E25
2004 
Louis Comfort Tiffany Foundation, “2003 Awards in Painting Sculpture, Printmaking, Photography, Video and Craft Media.” The Louis Comfort Tiffany Foundation c/o Artists Space, pp 8-9.
2002
Barilli, Renato. “Officina America,” Galeria d’Arte Moderna, Bologne, Catalogue
2001
Burkard, Lene and Ohrt, Karsten. “Patterns: Between Object and Arabesque,” Kunst Hallen Brandts Klaedefabrik, Odense,Denmark.
Dailey, Meghan and Gingeras, Alison M. “The Approximative,” Galerie Ghislaine Hussenot, Paris. Catalogue.
2000 
Harvey, Doug, Review, LA Weekly, May 5 – 11, page 49.
Pagel, David, Review, Los Angeles Times, May 5, page F24.
Sheets, Hilary M., “The Oranges Are Alive,” Artnews, May, page 120.
1998 
Iannacone, Carmine, Review, Frieze, Jan.-Feb., pages 78-79.
1997
Greenwald, LouAnne, Review, (“The Power of Suggestion: Narrative & Notation in Contemporary Drawing,”) Zingmagazine, pages 289-90.
Hainley, Bruce, Review, Artforum, page123.
Hainley, Bruce, “The Power of Suggestion,” Artforum, February, page 83.
Ho, Melissa, Review, Art Issues, page 38. (cover)
Humphrey, Jacqueline, “32 Art on Paper Is Spare, Compelling,” Greensboro Press, Greensboro, NC, November 21, page 5.
Iannacone, Carmine, “Drawing Room,” L.A. Weekly, January 10-16, page 46.
Pagel, David, Review, Los Angeles Times, Sept. 15, page F5.
1996
Kandel, Susan, Review, Los Angeles Times, May 28, page F2.
Knight, Christopher, “Drawing the Conventional Conceptualist’s Conclusions,” Los Angeles Times, November 12, page F3.
Meyers, Terry, Review, Blocknotes, No. 13, September-October, page 90.
1995  
Kandel, Susan, “Canvassing A Year of Brilliance,” Los Angeles Times, December 31, page 62.
Kandel, Susan, Review, Los Angeles Times, October 19, page F8.
Kandel, Susan, Review, Los Angeles Times, July 7, page F11.